Reflections: Bodo Sperlein 16 May—7 June 2008
Bodo Sperlein’s supernatural installation Reflections
transforms England & Co’s main gallery space as he explores ideas
of nature and regeneration. His mirrors and lights merge fantasy with
design and become environmentally aware objects in their new context.
Sperlein is influenced by nature, fantasy and storytelling, and many of
the
objects in this exhibition fuse their organic origins with new
histories.
The main series of mirror works incorporates wood
that has become strangely and beautifully contorted: the wood has been
cut from centuries-old trees all over the capital’s green spaces and
evokes the city’s hidden dark corners and gardens. Scars and raised
marks formed in these wood sections make natural frames, now harvested
for Sperlein’s alchemy. The mirrors set into these organic coves
capture and reflect the viewer. Sperlein has given his reclaimed wood
new life: as one-off objects which function both as art and as useable
artifacts.
Sperlein’s Reflections project also takes inspiration from the sky. The large hemispheric frames of the Eclipse
mirrors evoke planetary globes and the backlit mirror installation with
reflective crystals transports the viewer to a starry night. The
crystallized surface is lunar-esque and the reflected luminescence is
spell-binding and mysterious.
The Lladró Magic Forest light
sculpture creates a theatrical vision in which
delicate fibre-optic strands each emit a subtle glow, illuminating the delicate
porcelain leaf that hangs below. Together, the leaves appear as if
scattered in a storm, the vertical strands creating an illusion of
fluidity and movement. Magic Forest is installed above a mirror
that gives the illusion of a pool in which the porcelain foliage is
reflected and transformed.
BODO
SPERLEIN was born in Germany and has been based in London since
the late 1980s when he came to study 3-D design at Camberwell College
of Art and evolved what he calls his 'biomorphic' aesthetic. His work
as a designer has exerted a major influence on the ‘cult of the
object’, as he has brought a contemporary sensibility to traditional
products such as china, pewter, stone, jewellery and lighting,
reinvigorating materials through contemporary designs.
Sperlein
has collaborated with numerous luxury brands including Mulberry, Agent
Provocateur, Lladró and Swarovski. He has also designed fine bone china
tableware for Michelin-starred restaurants worldwide. Sperlein’s
creations are highly collectable, and are included in Munich’s
prestigious Neue Samlung ceramics collection, the Crafts Council and
British Design Council collections alongside many private collections
of note.
His work has been widely exhibited both in the UK and
internationally. Among numerous British institutions to display
Sperlein’s work are the Victoria & Albert Museum in London, and
auction houses Sotheby’s and Bonhams. Solo shows have taken him from
Breukelen in New York, to concept store Collete in Paris, to outdoor
displays at Petrovsky Passage in Moscow, and to the Art Basel fair in
Miami.
THE BOOK of the same title has been published to accompany the exhibition. Reflections includes The Orchard of a Thousand Trees,
a specially commissioned story by the novelist Philippa Stockley, with
illustrations by Therese Vandling. Copies can be ordered from the
gallery, at £10 plus post & packaging.
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