18 February–8 March 2014
This exhibition launches 99 Balls Pond Road: The Story of the Exploding Galaxy by Jill Drower, and celebrates the Exploding Galaxy, “a collective of artists, musicians, poets and dancers who shared a creative spirit that defied the boundaries between art and life”.
12 December 2013–11 January 2014
The Colony Room Club first opened just before Christmas in 1948, so it seems appropriate that this exhibition of works by some of the many artists who frequented the club opens at the same time of year as a kind of antidote to ‘Christmas’ exhibitions.
12 November–7 December 2013
In his recent series of collage-constructions, British artist Chris Kenny re-imagines elements of 20th century art using ephemeral found materials.
5 October–9 November 2013
Tina Keane is an internationally acclaimed artist who has worked since the 1970s in a wide variety of media, ranging from performance and installation to film, video, digital technologies and neon sculpture.
3–28 September 2013
Art and ritual are near relations… Artists include Wilma Johnson, Jennifer Binnie, Grayson Perry, N.H.Stubbing, Sir Francis Rose, Gérard Quenum, Paul Benney, Christine Khondji, Giovanna Miralles, Cecilia Vicuña, Sandra Sheehy, Jack Bilbo and William Gear.
24 May–29 June 2013
This first solo exhibition in London since 1974 spans Vicuña’s career, including works that document her performances, interventions and actions over three decades.
27 April–18 May 2013
Including works by Michael Druks, Tina Keane, John Dugger and Judy Clark.
7 March–2 April 2013
Michael Druks diverse practice takes in painting, sculpture, conceptual, video, performance and installation works.
9 February–3 March 2013
Geneviève Seillé’s drawings and works on paper are an idiosyncratic combination of writing, numbers, collage, drawing and mark-making. Shown here alongside prints and documentation by Jean Dubuffet.
6 November–8 December 2012
In 1934, Vézelay was invited to join the group Abstraction-Création, an association of artists formed in Paris in 1931 to advocate abstract art.